大众网记者 李伟 宗琮 滨州报道

在滨州市惠民县，有一种泥土会“说话”。它来自黄河岸边，经过捶打、揉捏、雕琢，化作孙子兵法的沙场点兵、胡集书会的说唱场景、老渤海精神的红色记忆。捏出这一切的，是胡氏泥塑第三代传承人胡冬梅。近四十年来，她守着这门从奶奶手里传下来的手艺，让惠民本土文化在一团黄泥中“活”了起来。

胡氏泥塑始于胡冬梅的奶奶那一代，至今已有一百多年历史。

胡冬梅介绍，胡氏泥塑用的是惠民黄河岸边的黄泥，黏性充足、可塑性强。好的泥土还要发酵至少半个月，泥发酵不到位，作品就容易开裂，这是最关键的窍门。

不同于传统泥塑多依赖模具成形、题材单一，胡氏泥塑坚持纯手工创作，作品更加灵动、造型多样。在题材上，胡氏泥塑脱离了传统吉祥小摆件的局限，结合黄河文化、孙子文化、胡集书会和红色文化进行创新。细化人物神态、还原生活场景，让泥塑变成有温度的文化载体。

In Huimin County, Binzhou City, there is a kind of clay that “speaks”. Sourced from the banks of the Yellow River, it is beaten, kneaded and carved into scenes of military reviews from The Art of War, performances of the Huji Folk Story‑telling Festival, and red memories of the Old Bohai Spirit. All these creations are the work of Hu Dongmei, the third‑generation inheritor of Hu‑style clay sculpture. For nearly forty years, she has upheld the craft passed down to her from her grandmother, breathing life into Huimin’s local culture within lumps of yellow clay.

Hu‑style clay sculpture dates back to Hu Dongmei’s grandmother, with a history of more than one hundred years.

According to Hu Dongmei, the clay used for Hu‑style clay sculpture comes from the Yellow River banks in Huimin. It boasts strong viscosity and excellent malleability. High‑quality clay requires fermentation for at least half a month. Insufficient fermentation will cause artworks to crack — this is the most crucial secret of the craft.

Unlike conventional clay sculpture, which largely relies on moulds and features limited themes, Hu‑style clay sculpture adheres to entirely hand‑made creation, yielding vivid and diversely shaped works. Breaking free from the constraints of traditional auspicious small ornaments, it innovates by drawing on Yellow River culture, Sun Tzu culture, the Huji Folk Story‑telling Festival and red culture. By refining facial expressions of figures and recreating real‑life scenes, the clay sculptures become warm cultural carriers.

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